لطفا منتظر بمانید ...
0% Complete
|
ورود به سامانه
|
ثبت نام
صفحه اصلی
/
پنجمین همایش رویکردهای میان رشته ای به آموزش زبان، ادبیات و مطالعات ترجمه
Iranian K-Pop Music Video Fansubbers' Strategies for Translation of Taboo Words
نویسندگان :
Samin Salajegheh
1
1- دانشگاه علامه طباطبائی
کلمات کلیدی :
Fansubbing،Translation Strategy،Subtitling،Taboo Words،K-pop
چکیده :
Unofficial K-pop fan subtitlers engage in play labor, typically receiving no monetary compensation for their efforts. Instead, they derive value from recognition within their fandom, reflected in likes, followers, and social visibility. Unlike professional translators, these fansubbers operate with a high degree of autonomy, facing minimal external pressure, allowing them to translate according to their preferences. This research investigated how these subtitlers approach the translation of taboo words—terms associated with acts, objects, or relationships that society tends to avoid (Crystal, 2003). Specifically, it explored whether the absence of power dynamics influences their choices to tone down taboo language. Drawing on Slamia's (2020) classification, taboo words were categorized into several groups: sexual terms (including references to reproductive organs and sexual acts), cursing (swear words and obscenities), religious profanities, racial or ethnic slurs, and death-related taboos. The study built on Lovihandrie et al. (2018) to outline various translation strategies: omission (deleting taboo elements), substitution (replacing taboo terms with culturally appropriate expressions), euphemism (using softer language), taboo-for-taboo (directly translating a taboo term into another taboo), borrowing (retaining the original term), and using more general terms. The analysis examined 145 instances of taboo words in randomly selected K-pop music videos with Persian hard subtitles from YouTube. These subtitles were compared to official English translations, focusing on taboo language. The findings revealed the following distribution of strategies: omission (6.8%, 10 instances), substitution (24.1%, 35 instances), taboo-for-taboo (31%, 45 instances), borrowing (13.7%, 20 instances), more general terms (3.4%, 5 instances), and euphemism (20.6%, 30 instances). While 31% of subtitlers opted for a direct taboo-for-taboo translation, the majority employed strategies that toned down or modified the taboo terms, indicating that despite their autonomy, many subtitlers adhered to societal norms in their translations. Key words: Fansubbing, K-pop, Subtitling, Taboo Words, Translation Strategy
لیست مقالات
لیست مقالات بایگانی شده
خودترجمه آثار کردی در ایران معاصر
سهیلا حیدرنیا - افسانه محمدی شاهرخ آبادی
Narratology and Ethical Philosophy in Arundhati Roy’s The Ministry of Utmost Happiness: An Interdisciplinary Study
Fatemeh Pourjafari
هوش مصنوعی و خلق ادبیات: تحلیل ابزارهای تولید متن و تأثیرات آنها بر خلاقیت ادبی
آزاده مهرپویان
بررسی دیدگاههای زبان شناسی در پویایی و تحول فرآیند ترجمه با تاکید بر نقش ترجمه فرهنگی در ترجمه زبان عربی
مهدی محرمی لاهرودی - سجاد ممی زاده پریخانی
Mapping Iran’s Linguistic Landscape: A Deep Dive into “Applied Linguistics” Research
Ali Behdani - Hossein Navidinia - Mahmood Sangari
Exploring Trauma Narratives in Junot Díaz's The Brief Wondrous Life of Oscar Wao
Behzad Pourgharib - Mahboubeh Khalili
بررسی تطبیقی پیشینۀ نظری دستهبندی عناصر فرهنگی در ترجمهشناسی روسی
مهناز نوروزی
Sentiments, Strategy, and Social Dynamics: Applying Brams' Theory of Moves (1996) to Parent-Child Dynamics in Eliot’s Daniel Deronda (1876)
Maryam Mahmoudi - Sara Khazaee
Haunted by "To Have": A Lacanian Reading of Woody Allen's Self-image in His "The Kugelmass Episode"
Behnaz Heydari Jaghargh
A BOURDIEUSIAN READING OF HABITUS IN WHITE NOISE
Erfan Bandad - Farah Ghaderi
بیشتر
ثمین همایش، سامانه مدیریت کنفرانس ها و جشنواره ها - نگارش 44.8.0