همایش رویکردهای میان رشته ای به آموزش زبان، ادبیات و مطالعات ترجمه

صفحه اصلی / پنجمین همایش رویکردهای میان رشته ای به آموزش زبان، ادبیات و مطالعات ترجمه

From Page to Screen: The Beast Symbolism in Golding’s Lord of the Flies (1954) and Hook’s Film (1990)

نویسندگان :

Mahdieh Taheri¹ Mahmoud Reza Ghorban Sabbagh² Sara Khazai³

1- دانشگاه فردوسی مشهد 2- دانشگاه فردوسی مشهد 3- دانشگاه فردوسی مشهد

کلمات کلیدی :

beast،Lord of the Flies،1990 adaptation،symbolism،fear

چکیده :

Abstract This article analyzes the symbolic imagery of the beast in William Golding’s Lord of the Flies (1954) and its 1990 film adaptation, emphasizing how both verbal and visual elements convey themes of fear and savagery. The examination focuses on cohesive devices such as reference and repetition that establish the beast's significance in the novel. Initially, the beast is merely a product of the boys' imagination but gradually transforms into a powerful symbol of their inner fears. In the film, visual and auditory techniques vividly portray the beast, particularly through the character of Captain Benson, who serves as a concrete embodiment of fear. The findings indicate that the film successfully translates the beast's symbolism using cinematic techniques while preserving thematic depth and making the concept accessible to a wider audience. This transformation enhances the viewer's understanding of the narrative and demonstrates the relationship between verbal and visual storytelling. Ultimately, the article emphasizes how both forms adapt and effectively convey the complex themes present in Golding’s original work.